Pierre Henry's take on "More," on the other hand, looks even further back, to Miles Davis's "Great Expectations" from the 1974 album Get Up with It in its extended, spacey melody and use of ambient electronic sounds. Alex Gopher's "Bending New Corners" is straight-up drum & bass, while Goo's remix of "Siegfried" sounds like early '90's acid jazz, and Mobile in Motion's trip-hop flavored "The Dawn (Part 2)" would have sounded at home on the first Portishead album. Using mostly the original acoustic performances and blanketing them in a wall of electronic sound, the remixes interestingly play up the electronic aspect of Truffaz's tunes without sacrificing the acoustic balance and interplay of the originals. But unlike The Mask, which was a compilation of tunes from those albums, Revisité contains seven new remixes that push the original tracks into some impressively varied and innovative terrain. Like The Mask, Revisité is culled from several albums Truffaz and his quartet released in France in the early '90s: Out of a Dream, The Dawn, and Bending New Corners. Those who caught French trumpeter Erik Truffaz's 2000 release, The Mask-a forward-looking mélange of Miles Davis-influenced cool jazz and acoustic drum & bass grooves-will no doubt want to hear Truffaz's latest concoctio.
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